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No Man an Island: The Cinema of Hou Hsiao-hsien, Second Edition de James Udden

Descripción - Críticas An excellent and groundbreaking volume. This book's very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.--Chris Berry, King's College London In this first book-length study on Hou Hsiao-hsien, James Udden illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is without doubt a major contribution to the fields of Chinese-language cinema and film studies.--Emilie Yueh-yu Yeh, Lingnan University, Hong Kong Reseña del editor Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou's signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou's art. The convoluted history of Taiwan in the last century has often rendered fixed social and political categories irrelevant. Changing circumstances have forced the people in Taiwan to be hyperaware of how imaginary identity-above all, national identity-is. Hou translates this larger state of affairs in such masterpieces as City of Sadness, The Puppetmaster, and Flowers of Shanghai, which capture and perhaps even embody the elusive, slippery contours of the collective experience of the islanders. Making extensive uses of Chinese sources from Taiwan, the author shows how important the local matters for this globally recognized director. In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015. Hou breaks new ground in turning the classic wuxia genre into a vehicle to express his unique insight into the working of history. The unconventional approach to conventions is quintessential Hou Hsiao-hsien. Contraportada Film Studies / Taiwan Studies Biografía del autor James Udden is professor of cinema and media studies at Gettysburg College.

Movies amp shows youtube 1 angry black man duration 1 hour, 32 the king of staten island duration 2 hours, 17 minutes the code duration 1 hour, 28 minutes, 1 second 13406 tracers duration 1 hour Englishfilepreintermediatethirdeditionpdf pages 1 englishfilepreintermediatethirdeditionpdf christina lathamkoenig clive oxenden paul seligson oxfordch quick upload second conditional for our last f our days we went t o ko chang, a beautiful island Chinese cinema list of films and where to find them leisure chinese cinema list of films and where to find them free download as word doc doc docx, pdf file pdf, text file txt or read online for free chinese films

james udden libros compra online entre un amplio catálogo de productos en la tienda libros Bazin at work chinese realism realism arts film theory 1967 33 no one illustrates bazins concept of space better than hou hsiaohsien erzi de da wanouthe sandwich man 1983 begins with a long and deepfocus shot, lasting thirty seconds a sandwich man appears from the far side of horizon, but only his upper body can be seen, dwarfed by huge street billboards behind him Fantasy faces by belle fairy parties a fairy party in action clip courtesy of sutherland family photography

Detalles del Libro

• Name: No Man an Island: The Cinema of Hou Hsiao-hsien, Second Edition
  
• Autor: James Udden
  
• Categoria: Libros,Arte, cine y fotografía,Películas
  
• Tamaño del archivo: 10 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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