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Kurosawa: Film Studies and Japanese Cinema (Asia-Pacific: Culture, Politics, and Society) de Mitsuhiro Yoshimoto

Descripción - Críticas 'Yoshimoto's Kurosawa is destined to take its place along with the most important achievements of cinema studies, which is to say that it is a book about something more than cinema itself. Yet it offers a stimulating, running commentary on the films that makes one want to see them all over again, while also offering a new theory of auteurship as collective negotiation. This is a grand performance sustained by a voice of rare authority.'-Fredric Jameson 'A tour-de-force reading of Kurosawa's films. Yoshimoto adds greatly to current Kurasawa scholarship and to situating the construct 'Japanese Cinema' in a way that it has not been situated before.'-E. Ann Kaplan, author of Looking for the Other: Feminism, Film, and the Imperial Gaze Reseña del editor The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director's cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa's entire body of work, from 1943's Sanshiro Sugata to 1993's Madadayo. In scrutinizing this oeuvre, Yoshimoto shifts the ground upon which the scholarship on Japanese cinema has been built and questions its dominant interpretive frameworks and critical assumptions. Arguing that Kurosawa's films arouse anxiety in Japanese and Western critics because the films problematize Japan's self-image and the West's image of Japan, Yoshimoto challenges widely circulating cliches about the films and shows how these works constitute narrative answers to sociocultural contradictions and institutional dilemmas. While fully acknowledging the achievement of Kurosawa as a filmmaker, Yoshimoto uses the director's work to reflect on and rethink a variety of larger issues, from Japanese film history, modern Japanese history, and cultural production to national identity and the global circulation of cultural capital. He examines how Japanese cinema has been 'invented' in the discipline of film studies for specific ideological purposes and analyzes Kurosawa's role in that process of invention. Demonstrating the richness of both this director's work and Japanese cinema in general, Yoshimoto's nuanced study illuminates an array of thematic and stylistic aspects of the films in addition to their social and historical contexts. Beyond aficionados of Kurosawa and Japanese film, this book will interest those engaged with cultural studies, postcolonial studies, cultural globalization, film studies, Asian studies, and the formation of academic disciplines. Contraportada 'A tour-de-force reading of Kurosawa's films. Yoshimoto adds greatly to current Kurasawa scholarship and to situating the construct 'Japanese Cinema' in a way that it has not been situated before.'--E. Ann Kaplan, author of 'Looking for the Other: Feminism, Film, and the Imperial Gaze' Biografía del autor Mitsuhiro Yoshimoto is Associate Professor of Japanese, Cinema, and Comparative Literature at the University of Iowa.

Monash arts monash arts monash arts bioethicists receive research funding in facebooks ethics in ai research initiative for the asia pacific monash arts professor robert sparrow, dr mark howard and doctoral candidate joshua hatherley have been announced as winners of research funding in facebooks ethics in ai research initiative for the asia pacific, totalling 42,969 Rey chow scholarsduke chows research comprises theoretical, interdisciplinary, and textual analyses since her years as a graduate student at stanford university, she has specialized in the making of cultural forms such as literature and film with particular attention to east asia, western europe, and north america, and in the discursive encounters among modernity, sexuality, postcoloniality, and ethnicity Masaki kobayashi 22112005 director divx clásico human condition i is also significant because it launched the career of tatsuya nakadai just as many of kurosawas films were defined by the machopresence of toshio mifune, so were kobayashis films brought to life by the masterful performances of nakadai in such kobayashi classics as harakiri 1962, kwaidan 1964, and rebellion 1967

Eros plus massacre an introduction to the japanese new eros plus massacre taking its title from a 1969 yoshida yoshishige film is the first major study devoted to the examination and explanation of japanese new wave film desser organizes his volume around the defining motifs of the new wave Ghost dog communication philosophical science another kurosawa film parallels ghost dog the samurai film yojimbo tishoru mifune plays the stoic, emotionless, ghost doglike sanjuro the samurai mifune enters a town as the stranger, he steps in between a feud involving two houses, and aligns with neither University of california press scholarship is a powerful tool for changing how people think, plan, and govern by giving voice to bright minds and bold ideas, we seek to foster understanding and drive progressive change

Detalles del Libro

• Name: Kurosawa: Film Studies and Japanese Cinema (Asia-Pacific: Culture, Politics, and Society)
  
• Autor: Mitsuhiro Yoshimoto
  
• Categoria: Libros,Arte, cine y fotografía,Películas
  
• Tamaño del archivo: 14 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

Lee un libro Kurosawa: Film Studies and Japanese Cinema (Asia-Pacific: Culture, Politics, and Society) de Mitsuhiro Yoshimoto Ebooks, PDF, ePub

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